FORMAL-STYLISTIC FEATURES OF AMAN MUKHTAR’S DILOGY “NAVAI AND THE ARTIST ABULKHAIR”

Abstract

This paper analyzes the internal development of the literary work of the distinguished artist of Uzbekistan, laureate of the State Prize, and well-known poet and writer Amon Mukhtar on the example of the dialogue "Navoi and the artist Abulkhayr". Because the author's novels reveal his personality and way of thinking. The close connection of their way of thinking with the national ground and literary traditions leads to an increase in the weight of symbolic, metaphorical images, pictures, signs, and adventure in his works. The writer moves freely from prose to poem, from poem to prose in the course of poetic expression. Sometimes consciously, sometimes unconsciously, he engages in a dialogue with the works of Lutfi, Navoi, Mashrab, Bayron, Mirza Ghalib, Nadira, Fitrat, and other poets. Therefore, the artistic text shows points related to the phenomenon of reminiscence. Amon Mukhtar can create an interesting plot based on the artistic study of personal experience and signs, similar to the poetic lines of his predecessors. Such a creative experience is new for modern Uzbek prose. Taking into account the above factors, the article compares the features related to the poetics and expression style of O. Mukhtar's novels. The diversity of the genre and the originality of the creative concept are analyzed. The writer's views on socio-cultural life, the skill of applying the principles of realism, romanticism, existentialism, surrealism, and stream of consciousness, as well as the ability to apply the aesthetic ideal and creative idea to the process of artistic creation, were studied.